{"id":35088,"date":"2012-10-23T14:37:03","date_gmt":"2012-10-23T12:37:03","guid":{"rendered":"https:\/\/thomasvoland.com\/blog\/?p=35088"},"modified":"2023-04-10T17:30:10","modified_gmt":"2023-04-10T15:30:10","slug":"snow-white-cosplay","status":"publish","type":"post","link":"https:\/\/en.thomasvoland.com\/blog\/snow-white-cosplay\/","title":{"rendered":"Snow White cosplay"},"content":{"rendered":"
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Some time ago two film versions of the popular fairy tale \u201cSnow White\u201d were shown in cinemas. One was an embarrassing comedy, while the other one \u2013 something much darker and appearing quite interesting. Karolina Zientek, my favorite make-up artist, concluded that it would be a good idea to take some photos of a girl stylized as Snow White. As I love cosplays, I supported the idea wholeheartedly. A few days later, we did the photo shoot described below.<\/p>\n

Let me mention here that I\u2019ve always dreamt of a photo shoot entitled \u201cLittle Red Riding Hood\u201d. It is supposed to be a photo shoot of my life, so everything must be arranged perfectly. Unfortunately, the shots I\u2019ve come up with require huge preparations and thus a long time will pass before I\u2019m able to carry out the project.<\/p>\n

Bits and pieces \u2013 part 1:<\/strong> In the original story, Little Red Riding Hood ends up just like grandma: she\u2019s eaten by the wolf.<\/p>\n

Snow White<\/h2>\n

Vision one: Let\u2019s do a full-blown photo shoot, with Snow White, the prince and the Evil Queen, so that the shots tell a story… A quick analysis yielded a simple conclusion: unfeasible. Sure, it would be possible to carry that out, but the preparations would take several weeks. Moreover, we would have to divide the work into at least two smaller photo shoots in different locations. As a result, the photos would probably never see the light… By the way, our Snow White was planning to cut and dye her hair, which gave us much less time (unless we used a wig).<\/p>\n

Vision two: Let\u2019s do anything, spontaneously as always. Let\u2019s take loosely linked shots without the prince or stepmother and without significant preparations. Such a photo shoot was actually possible to do on the spot. We even found the right place: Le\u2019Prestige, a hairdresser\u2019s salon \u2013 or its yard, to be precise. The only problem was the weather, which was… too good, but let me come back to this topic later. The yard had a wooden gate with some ivy growing nearby and the ground was paved with stone. If well lit, that scene could yield a great atmosphere without using the least bit of Photoshop. The place was a bit cramped, but I somehow managed to squeeze in all my lights.<\/p>\n

At the beginning we planned three shots: a beauty photo, a fashion-type photo with the model sitting (on a chair) and finally a photo showing an unconscious Snow White lying on the ground. As usual, the plans changed during the work. When I reached the place, the make-up was almost ready and the haircut was in preparation. While Aga from Le\u2019Prestige was finishing the model\u2019s styling, Karolina and I made off to buy \u201cthe perfect apple\u201d. What\u2019s Snow White without an apple, anyway? We searched in several shops until in the last one Karolina said, \u201cThis is it\u201d. We also tried to get some snow in a package, but we didn\u2019t find any.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Light<\/h2>\n

The first tests showed that doing that photo shoot with the available light made no sense. For the first shot, I positioned Magda next to the gate and we placed a two-meter black reflector above her head to keep away the sunlight. Unfortunately, the sun was shining so strong that the reflectors, lowering the ISO below the native value or aperture increase didn\u2019t help much. Everything seemed right, but the photo lacked the gloomy atmosphere I wanted so much. It would have been fine if I had put an ND filter on the lens to exclude the available light completely. Sadly, one needs strong lights for that and I didn\u2019t have them at that time. My 300 Ws by Quantuum (not to be confused with Quantum spelled with one \u201cu\u201d) with a grey filter gave a bit more light than a candle. I didn\u2019t want to take the shots in the available light, but lights were of no use, either. Eventually, that photo didn\u2019t come out right because I didn\u2019t get the atmosphere I wanted. Unfortunately, I only saw the difference on a big display, so I didn\u2019t try to repeat the shot.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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For the next photo, I added one more reflector and positioned Snow White as far back in the shadow as it was possible. At that moment, I came up with a previously unplanned shot:<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\"Kr\u00f3lewna<\/a><\/p>\n

135 mm | F\/8,0, 1\/200s, ISO 200<\/p>\n

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Before I repositioned the lights and arranged the ivy appropriately with Karolina and Aga, the sun relaxed a bit. I was finally able to use the light to create an atmosphere which exactly corresponded to my vision. The available light lasted, but was subtle enough not to destroy the planned effect. The backstage photo below shows the taking of the beauty shot, but I didn\u2019t change much in relation to that arrangement (mainly the height of the light).<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\"Kr\u00f3lewna<\/a><\/p>\n

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Quantuum R+300 Digital (on a boom) with a 70 cm white beauty dish + a grid. Yongnuo YN- 460II speedlight for the background, directed slightly upwards. Reflectors above the head to keep away the sunlight.<\/p>\n

This is more or less what the shot looked like on the camera\u2019s display. The photo was taken using a phone in poor conditions, hence the moderate quality:<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\"Kr\u00f3lewna<\/a><\/p>\n

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Another shot with Snow White after biting the apple:<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\"\"<\/a>50 mm | F\/8,0, 1\/200, ISO 200<\/p>\n

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For this shot, the beauty dish was positioned so as to distribute the shadows on the face as in standard shots where the person is in a vertical position. I directed the speedlight at the apple, using some magazine to create a snoot quickly (sadly, the magazine wasn\u2019t Vogue). The key light was cast completely beyond the top right corner. To prevent the hair from looking like a black patch on the top, I directed another light there, supplementing it with a silver reflector which reflected the remains of the light. The whole lower part of the shot gradually plunges in the dark, but that definitely suited me, so I didn\u2019t fill it with light. Setting up the lights took quite a lot of time because the adjustment of speedlight strength proved insufficient that time. I tried to limit the strength of the snoot using i.a. a plastic drinking cup, but it completely changed the light color. I finally mastered the situation by selecting an appropriate height. This resulted in a very sharp shadow next to the apple, but it actually fitted the scene, so I left it that way. The backstage photos below show the setup:<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\"Kr\u00f3lewna<\/a><\/p>\n

\"Kr\u00f3lewna<\/a><\/p>\n

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The last shot was taken as planned, i.e. the model was sitting with the apple in her hand:<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\"\"<\/a>50 mm | F\/4,5,\u00a01\/200s,\u00a0ISO 100 (LO 1,0)<\/p>\n

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There was no available light there \u2013 just the way I like it the most :) The key light came from a 70 cm beauty dish with a grid, positioned to the left. I directed two lights at the background and one at the right side. Why as many as two at the background? Well, the chair stood right next to the gate which served as the background and all I had was speedlights whose angle wasn\u2019t wide enough to light a sufficiently large area. Thus, I put one light on the ground, directing it slightly upwards, and placed the other one on a stand at the height of the arms, also pointing it slightly upwards. This, and not directing the lights straight ahead, is what makes the gate\u2019s texture stand out more. The fill light positioned to the right prevented the shadows (i.a. those on the dress) from being black patches.<\/p>\n

Below there is a comparison of the RAW and the final version, which proves that light can change a lot:<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\"Kr\u00f3lewna<\/a><\/p>\n

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Summary<\/h2>\n

I consider the session by all means successful, though the beauty shot didn\u2019t come out right (well, maybe it did, but its level, or rather its atmosphere, was completely incomparable to that of the remaining shots). I was really satisfied with the other photos, though. While publishing the photo shoot later on, I wondered what could have been done better. It would be nice to have some snow on the shots with Snow White sitting and lying down, but we hadn\u2019t managed to buy it. I would also like some blood flowing from under Snow White\u2019s head and on between the stones, but that would have required more work and one cannot be sure if the final effect would really be better.<\/p>\n

It\u2019s worth mentioning that the lighting used during the photo shoot was inexpensive and yet sufficient (though if the lights had been stronger, I could have used a grey filter). The key light cost approx. USD 120 and the additional lights \u2013 less than USD 50 per one item. The only equipment to supplement them was the stands, the beauty dish with the grid and an RF shutter release. We did use reflectors, but they wouldn\u2019t have been necessary in different weather conditions. The whole set cost less than USD 600.<\/p>\n

Bits and pieces \u2013 part 2:<\/strong> In the original story, the Evil Queen does not want Snow White\u2019s heart. She wants her liver and lungs in order to eat them.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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